marketing

HBO Now Starts a War Between Cable Providers and Cable Networks

Posted on by ebreakdown

Apple and HBO announced the release of a new on-demand service called HBO Now, exclusive to Apple customers. HBO Now is an on-demand service less like HBO Go, but more akin to Netflix. This represents a shift in the cable television content distribution paradigm.

Let’s look at HBO Go for an example. Previously, in order to get on-demand television content, users would have to supply the application or online service with a cable provider login to access the content, both archived content and live content. Now, using this new service, anyone can sign up for the HBO service without having to subscribe to a cable provider.

Unlike the music industry, the television and cable TV industry has been reluctant to achieve consensus on how to provide consumers with on-demand content beyond a cable subscription. Many have speculated the difficulty in achieving a consensus on providing on-demand cable TV content to consumers who are not cable TV subscribers, is not because the content creators (HBO, Showtime, etc.) are reluctant to sell the content, but the cable providers (Comcast, TWC, etc.) are unwilling to shift their business model to an on-demand model.

“Cable providers such as Time Warner Cable, til this point, has been resistant to putting content online because their current setup, in which people pay for a cable package and then an additional $10-20 a month for HBO has been very lucrative”, says Fast Company.

HBONow

The announcement from Apple CEO Tim Cook and HBO CEO Richard Plepler signifies a massive shift and blow to the cable providers. Apple and HBO will be offering HBO content to all Apple device users (Apple TV, iPhone, iPad, etc.) for a nominal monthly fee of $14.99. It’s clear that HBO recognizes Netflix as a competitor and cable providers as a roadblock to success.

Implications:

  • Online viewing habits of consumers are shifting the way content creators and providers are distributing content.
  • Even though the on-demand online subscription base for services like Netflix and HBO don’t feature advertisements, there is now a case for product placement within shows.
  • If more services like HBO or Netflix continue make a move into the online space for subscription based, on-demand services, there will be an impact on media within the cable provider ecosystem.

In the end, it will be interesting to see how HBO’s move impacts the cable TV/provider landscape. For too long, there has been a stalemate in the battle for online subscription based networks (HBO) independent of cable subscription (TWC). Both services want to make money, we’ll see who makes it first – at the expense of the other.

Spotify and Elvis: How To Create Innovative Digital Experiences

Posted on by ebreakdown

In honor of his would be 80th birthday, Spotify (the king of online music experience) created two applications that celebrate Elvis’ influence on music.

The first application, The Elvis Influence allows a user to type in their favorite (or any) band or artist to see how they have been influenced by Elvis. The best way to describe this experience is that it’s the Six Degrees of Elvis. The application backtracks the influence of each artist to Elvis himself. Additionally, the application allows a user to listen to the whole timeline or the individual artists.

The second application, The Elvisualization, is an interactive infographic which details the influence of Elvis overtime. Very similar to a “bloodline” if you will, it illustrates how Elvis influenced every artist after him all the way to contemporary times, across many different genres. In addition to illustrating the influence, the interactive graphic is dynamic allowing a user to click on any artist listed for a preview of their sound.

http://static.echonest.com/insights/elvis/index.html

Beyond Elvis being awesome, why should we care about these two applications from Spotify? Well, Spotify has historically been fantastic at leveraging their content, their assets and their library/database for enhanced user experiences than just streaming music. They are offering users more context, the ability to explore new content and share that content with others.

  • Innovating with Existing Product: Every brand or company has a product or service. However, what helps make good marketers is finding ways to innovate using that existing product and share that innovation to the customer. Yes, it is easier said than done with some clients and Spotify is unique in the fact that they have music as their product. Yet, the music isn’t their product, their database is and they are very smart with that database and consumption/tagging data that comes along with it. If you really think about it, Spotify didn’t create the Elvis apps because they have Elvis music, they created the apps because they have access to influence metrics and consumption of music stemming from Elvis’s music. That level of innovation and thinking, beyond simply what product does a brand have and how do we market the product, can create extraordinary experiences for consumers and the industry.
  • Moving Beyond the App: Yes, Spotify has a mobile application as their main source of product consumption, but they also have a web version too. Spotify has been good with creating experiences that don’t necessarily rely upon a platform, but experiences that rely upon their API and database. You don’t have to download the Elvis apps and you don’t need to be a member of Spotify to listen to the music. Don’t always design for the platform, design for the experience.
  • Consumer Value through Context: Spotify is a content consumption and curation experience. The brand has been very good with adding context to that equation as well. Music is very personal and selective, it makes sense for a brand like Spotify to hone in on that and create experiences that allow for the user to create their own experience.

Spotify is not only an amazing company offering a service to users that directly taps into passion points, they also, and one could argue changed consumer behavior from a purchase model to a streaming/leasing model of content. Because of that success in the industry and the access to content and consumption, it allows them to be on the forefront in digital marketing.

Want more? Take a look at these recent experiences Spotify has offered their consumers:

Notable Advertising and Marketing Quotes

Posted on by ebreakdown

As with most people in the industry, we all have our opinions about advertising and marketing. That being said, I’ve been posting my thoughts about advertising and marketing on Twitter and other social platforms, but I realize I haven’t provided a central repository for all of my learnings, thoughts or observations.

So, here we go, here are some of the musing from the year to date. And of course, I’m interested in your feedback and thoughts. Do you agree or disagree with these ideas?

The “Value” of Super Bowl Advertisements

Posted on by ebreakdown

Even though Super Bowls can be a bit of a let down, advertisers and brands swarm to get spots for the Super Bowl. Case in point, all of the Super Bowl ad spots were sold out before Thanksgiving this year. This is mainly due to brands wanting to get in front of one of the largest audiences to view television programs. It is predicted this year there will be 100 million people watching the Super Bowl; and at a price tag of $3.5 million dollars for a 30 second spot, it may seem like a deal. However, I’m not sure that the brands truly recognize the value of the spots or the return they may, or may not get from them.

>> Read more at Experience Matters…

Recap: #SocialEvents Twitter Chat – Move Beyond the Check-In

Posted on by ebreakdown

Last week, in an effort to increase awareness around Critical Mass’ SxSW submissions, we hosted five days of Twitter chats. Each Critical Mass entry had its own chat. It was a great experience interacting with some top minds, sharing ideas and taking a critical look at the digital and social landscape from different perspectives – all on Twitter.

Just to recap, my SxSW entry is about making events more social and more engaging for the participants, in real-time and long after the event is over. (Don’t forget to vote!)

From the Move Beyond the Check-In: Making Events Truly Social Twitter chat, there were some interesting themes that came up.

  • Privacy is still a major concern with location-based services. Especially when it comes to integrating LBS into existing social networks.
  • Check-in and consumer loyalty are not always synonymous.
  • Incentives are still top-of-mind with consumers and marketers as a method to engage consumers.
  • Layered incentives or achievements can motivate consumer retention.
  • Gamification is another method still being considered or employed for consumer retention.
  • Marketers sometimes find it difficult to move beyond the incentive and game when engaging audiences at events.
  • Engagement at events with the event itself or crowd, could be a viable next step after incentives; curating real-time relationships.

So, to grow this conversation even further, how can we as marketers, move beyond the incentive and using technology, engage the consumer at events with real-time value and long term experiences?

Thank you to everyone who participated in the Twitter chat with me and Critical Mass! You all were great, highly engaged and provided incredible insights into event-based marketing! Below (after the fold) is the Twitter chat, formatted for your reference.

Please don’t forget to vote (Friday, September 2nd) is the last day to vote!

Read More

#SXSW 2012: Move Beyond the Check-In: Making Events Truly Social

Posted on by ebreakdown

A while back, I first viewed Amon Tobin’s new stage for his ISAM tour. It was an illuminating and innovative experience to view online. Yes, I am going to see him when he comes to Chicago in October to experience the projection mapping for myself. Yet, when I viewed it, I knew that it was so powerful and could not go unnoticed. I tweeted the video and got some amazing responses. One of the responses was from @mrrylln from our London office. This guy, is an amazing creative and witnessed the show himself out in the UK. He brought an amazing idea to the table. It was simple, how can you integrate social into something like that? Well, that got me thinking.

I wasn’t just thinking about projection mapping and social media, but events and social media with innovative technologies. We are reaching a period where users are starting to engage themselves with brands and locations rather than the other way around. How do we tap into that advocate power being marketers? These users who are checking into venues and are leaving comments about the experiences and by extension, building brand awareness for us.

Now, my question is, how do we take that check-in and make it worth something to the consumer? Well, it has to be valuable to the consumer, it has to be innovative to leave a mark, and it has to be engaging. I think that we have become pigeonholed into the simple check-in in social media. Check in here, then you get this. Incentive based check-ins have their place in the social ecosystem, but not to the point of consumer retention.

Another question is, can you buy friends, can you buy loyalty? The answer is no, you cannot buy loyalty. Loyalty, like trust, has to be earned and brands are not exempt from that. So, let’s push this forward a bit. Let’s move beyond the check-in and beyond a simple incentive.

Real-time engagement is the key; real-time engagement through innovative technologies. Let’s think of a concert. There is a band on stage and you have checked into the venue and that’s about it. You told your friends, both online and offline that you are there. Where is the engagement by the band? Perhaps they have a tweet to screen or a photo-to-screen technology set up? What if the band allowed you to vote during the show, via LBS, what the set-line up should be? And, what if, after the show, those who participated got the concert for free as a download? What if then, the band asked you to rate the show and share your experience or if the set line up worked? Or, what if the same type of line up occurred in Europe, from others voting and the band let you know after the fact? This is the type of real-time engagement I’m talking about here; taking the check-in by a consumer and doing something with it.

Recently, Foursquare announced they are offering event check-ins along with their location check-ins. Instead of checking into a concert venue, you are checking into the concert itself. This change was created by Foursquare after they observed all the check-ins by their users and noticed they were commenting on the event and not the location. This idea is brilliant and the next level of where event based social needs to go.

I submitted a SxSW panel topic called, Move Beyond the Check-in: Making Events Truly Social. This is line of thinking is what I will, hopefully, be presenting at SxSW 2012. I will be exploring new trends, technologies, consumer behaviors and ideas in event based marketing.

This is the new frontier. We, as marketers, need to take this relationship that the consumers form with the brands, onsite to online. We, as marketers, need to engage these consumers on behalf of the brand in innovative ways through technologies that offer value and excitement to the consumer. We, as marketers, need to retain the consumer long after the event is over. These consumers who are checking into events are the advocates that all brands are looking for, and we need to welcome them with open arms into the social community.

I have some wonderfully smart and creative people joining me on this panel from all over the industry. Vice President of Social Media, Heidi Skinner from Critical Mass will offer her unique insights into consumer loyalties and new technologies. Chief Creative Officer, Joe Sutter from GMR Marketing will bring his unparalleled experience in event-based marketing to the panel. And, Siobhan Quinn who is one of the original Product Managers at Forusquare. Her experience in location-based service is unquestionable.

Here comes the shameless plug. Please read my panel entry and vote for me to speak at SxSW. I firmly believe event-based social is the new frontier for marketers and the new way to interact with consumers. (Also, if you do vote for me, thank you!)

PS: A few others from Critical Mass have also submitted entries to SxSW and I invite you to check them out.

For the Chatty Community Managers:
Confessions of a Community Moderator
Workshop and interactive “confessional booth” including moderators for Converse, Peanuts, Humana and Aveda.

For the Statistically-Relevant and Uber-Accountable:
F**k Privacy: Neuromarketing is the Web’s Future
Panel, led by CM’s VP of Marketing Science, Shaina Boone, with contributions from the Chief Privacy Officer of Adobe and CEO of Next Stage Revolution.

For a Brand’s Strategic Moneymakers:
Social Commerce: The New Standard of Loyalty
Dual presentation from CM’s VP of Social Media, Heidi Skinner, and Social Commerce Today editor, Paul Mardsen.

For the Gadget Gods and Goddesses:
Consumer Goods: The Next Social Channels
Panel, prototyping contest and demo led by CM’s SVP Executive Technology Director, Scott Ross.

Recap: The Chicago Auto Show

Posted on by ebreakdown

Saturday, I had the opportunity to check out the 2011 Chicago Auto Show with my brother Eric. Now, I for one absolutely love auto shows. Perhaps I love them because I grew up liking automobiles, maybe it’s because I’m a guy and guys “like that sort of thing,” or maybe it’s because auto shows are just plain cool. Regardless, auto shows are fun and this year’s show illustrated how integrated our culture is becoming with technology and communications. I noticed two activities the auto manufacturers were investing in, they were social media interaction and interactive, on-site engagement.

Social
Social was a very large component in the majority of the large auto manufacturers’ displays. Here is a rundown of how some the auto companies engaged socially.

• Volkswagon: Upon arrival to the Auto Show, I checked into the Chicago Auto Show via Foursquare. Very soon after, I received a tweet from @VWConnect stating, “Stop by the VW booth to see the all-new Jetta GLI & find out how to get a free T-shirt,” with a TwitPic of a VW GLI. Yes, it was a bot Twitter account, but it served its purpose. I was immediately intrigued by what they had going on and that they were engaging me based upon my location. I headed over to the VW booth to find out more.

I came up to the new model year Passat and noticed it had a CTA image on the vehicle. The image directed me to take a listen to the stereo, tweet about it, and find a Product Specialist. Well, I bypassed those directions and went to the Product Specialist. She was there with T-Shirts in hand, standing right next to the vehicle. She informed me that had I tweeted about the vehicle, she would have taken down some information (for direct mail purposes) and given me a VW t-shirt to take home.

    Pros: VW was highly engaged both online and off. The incentive was adequate for the promotional needs. It was a great way of directing online, to a socially engaged, real-life specialist.
    Cons: Twitter bots are sometimes overwhelming and people don’t respond to them that well. Taking down my information after I did all those steps for VW, was a big of a large ask.

• Audi: Audi used location based services to generate awareness and engagement. Audi featured a couple of signs that directed the public to check into the Audi booth via both Foursquare and Facebook Places. As far as I could tell, there wasn’t much of an incentive to do so. However, I have to say this: I didn’t check in. So, with that said, who knows what was on the other side of the check-in. Either way, it wasn’t mentioned on the signage what would happen if you did check in.

    Pros: Promoting the use of location based services through signage.
    Cons: No real or clear incentive to check-in to the services.

• Chrysler: Chrysler had a simple black-and-white flyer they handed out to attendees of the show. One side featured all of their social accounts with a CTA that asked the attendees to become a fan of their pages and upload images, video and editorial from their experience at the show.

The second side was a CTA to engage the brand through text messaging. Text “Chrysler” to a number, explore the booths, answer questions that were texted back, and get a reward at the information desk. The rewards varied from an eco-friendly bag to a 3-for-1 oil change. A good use of texting, however, it seemed to be a bit of an arduous task.

    Pros: Using texting instead of social to interact with the attendees was different from most OEMs. The 3-for-1 oil change reward was pretty good.
    Cons: Attendees have to pay for the texts. Who knows when else Chrylser will text the attendees. And the photocopied flyers were a very passive approach to social media.

• Chevrolet: Chevrolet had a “bullet-time” photo booth in conjunction with Hot Wheels. Attendees waited in line to get their photo taken in front a Chevy vehicle, were offered a physical copy of the photography, and had the option to post that photo on Facebook or other social media platform.

I didn’t participate in this one; the line was way too long. However, I can only assume Chevy got a great turn out, a lot of social information on attendees, and the offer for participation was pretty innovative. I mean really, where else can you get a photo of yourself in bullet time?

    Pros: Innovate and interactive booth with a social component on the backend.
    Cons: Very long line to wait.

• AutoTrader: AutoTrader, much like VW, had a Twitter bot engage the attendees after an Auto Show Foursquare check-in. Their tweet read, “Thanks for joining us at the Chicago Auto Show! Fly by AutoTrader.com’s booth with this tweet for a prize” offered a clear call to action with a plus up incentive. If it was anything like the LA Auto Show, you get a picture with someone you’ve never heard of, a pencil and a small carrying case. I admit, I didn’t try this one either; I already have a pencil.

    Pros: A quick social response with an incentive back end.
    Cons: Again, a Twitter bot engagement tactic. However, with that said, how else would we know to go over to the booth?

Interactive
The second major piece of the Chicago Auto Show were interactive displays. The auto manufacturers really stepped up their game this year. Let me quickly go through some of the more memorable displays.

Overall: QR Codes were in heavy use with every sort of CTA ranging from vehicle information, to connecting on Facebook, to engaging dealerships. It seems as though QR codes are becoming more prevalent in the industry and used more by the public.

Honda: Honda had an “X-Ray” like display. Basically, there was an image on a wall of a Honda minivan. There was a screen on rails affixed above the image. The attendee would move the screen back and forth over the image to give a detailed, x-ray like, look at the vehicle. The display didn’t work all that well, but the public didn’t seem to mind as they enjoyed just playing around with it.

Fiat: Fiat used an X-Box Kinect interface. An attendee would stand behind the kiosk, waive their hands and interact with a large television screen filled with images and information. The attendee would select one of the images, an informative piece, or video would display and the attendee selected another one. This display had a very high level of interaction and a clear description on how to use it. However, the screen was pretty distant and made it difficult to read the information.

Scion: Scion used 3D video to engage the attendees. The Product Specialists gave out the glasses and all you had to do, as an attendee, was sit down and watch a 3D Scion movie. It was pretty simple, however, offered little interaction.

Chevrolet Volt: The booth for the Volt alone, was larger than some of the other auto manufacturer’s booths overall. The Volt offered a serene test track that allowed the attendees to ride in the car through a beautifully landscaped roadway. Once you walk up to the track, you are inundated with the smell of fresh plants, trees and grass. The attendee didn’t get to drive the Volt around the track, which was about the size of a large go-kart track, they were chauffeured. The line to get in the Volt wrapped around the track. It was a site to see and a calming booth to visit with all the foliage.

Toyota: Toyota’s Prius display was pretty large, bright, and spoke to the “Prius Goes Plural” campaign. At the base of the booth, was a station to charge your mobile phone. Toyota offered, from what it seemed, every type of mobile phone chargers. I think Toyota understood perfectly what type of world we live in right now. Also, when the attendee charged their phones, a Product Specialist would sit with them to chat. I’m not one to be suckered into this sort of conversation, but when you need your phone charged, you will do just about anything.

So, that was just a part of my experience at the auto show. I truly do enjoy auto shows; the designs of the cars, the booth displays, and the unique approaches auto manufacturers use to get our attention. However, one major downside to the show was the shear amount of people in attendance. I think the flow of the show needs to be reevaluated from a perspective of the volume of people. That was just about the only downside, and looking at it from a marketing perspective, it’s certainly an upside.

Shout Out: Thank you Lindsay for the tickets!